‘A brilliant book... Jonathan Lee is one of those rare, agile writers who can take your breath away’
– Catherine O’Flynn
‘With its supple prose, ingenious structure, wit & slow-burn sympathy, Joy is a sly miracle of a novel’
– A.D. Miller
‘Jonathan Lee's second novel, Joy (William Heinemann), charts the final day in the life of a high-flying young lawyer. Lee writes with extraordinary vividness, with prose so sharply defined it takes your breath away.’ – Observer (Books of the Year 2012)
‘Lee’s the real deal – a British writer on the cusp of greatness ... A brilliant & powerful dissection of modern Britain’ – Daily Mirror
‘One of Britain’s most exciting writers ... A wonderful book’ – Stylist
‘A quite superb piece of work’ – Huffington Post
‘The world is due the darkly comic view of corporate law firm life depicted by Jonathan Lee’s second book. Joy is not only beautifully written, but a real page-turner’ – Guardian
‘A tense and disturbing, involving novel’ – The Times
‘Sparky ... modern ... brilliant’ – BBC Radio 2, Claudia Winkleman Arts Show
‘[A] discomforting and acute tragicomedy ... The bleaker and darker his book becomes, the better it gets, building to a shocking and expertly executed conclusion. Tipped for the top on publication of his first novel, Lee here confirms his talent’ – Daily Mail
‘Outstanding ... A forensic portrayal of despair that shows Lee to be an exceptional, brave prose stylist ... Funny and humane, Joy is an enormously impressive piece of storytelling’ – Literary Review
‘Exquisitely & surprisingly written, Joy proves that Lee is a significant talent’ – Observer
‘For all painful events it covers, this is a joyful book. Lee educates us in the beautiful mess of humanity surrounding this tragic event. Joy is one of the best new novels this year.’ – We Love This Book
‘Lee’s writing is clear, as if lit by the fluorescent, constant lights of a law firm. [He] is a fine temperature taker of our psyches, and this book confirms his talents as an exciting literary voice.’ – The Periscope Post
‘Very stylish, observant and oh so spiky, this is an incredible, often uncomfortable novel that you just can't put down. Modern, vibrant, funny and dark’ – www.thebookbag.co.uk